Free Download Eagle Song (Puffin Chapters)By Joseph Bruchac

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Eagle Song (Puffin Chapters)By Joseph Bruchac

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A contemporary middle grade story about confronting bullying and prejudice
 
Danny Bigtree's family has moved to Brooklyn, New York, and he just can't seem to fit in at school. He's homesick for the Mohawk reservation, and the kids in his class tease him about being an Indian—the thing that makes Danny most proud. Can he find the courage to stand up for himself?
 
“A worthy, well-written novella.” —Kirkus Reviews
 
“This appealing portrayal of a strong family offers an unromanticized view of Native American culture, and a history lesson about the Iroquois Confederacy; it also gives a subtle lesson in the meaning of daily courage.” —Publishers Weekly
 
"With so many Native American stories set in the misty past, it's great to read a children's book about an Iroquois boy who lives in the city now. Bruchac weaves together the traditional and the realistic as Danny's ironworker father tells stories of his people's history and heroes, stories that give Danny courage to confront his schoolyard enemies and make friends with them.” —Booklist

• Sales Rank: #61934 in Books
• Brand: Puffin
• Published on: 1999-03-01
• Released on: 1999-03-01
• Original language: English
• Number of items: 1
• Dimensions: 7.75" h x .25" w x 5.10" l, .15 pounds
• Binding: Paperback
• 80 pages

Features

• Great product!

From Publishers Weekly
It's a shock for fourth-grader Danny Bigtree to move to Brooklyn from his Mohawk Nation reservation: suddenly he has no friends, and his classmates taunt him, asking him where his war pony is and telling him to go home to his teepee. After his charismatic father makes a class visit to talk about Iroquois culture, his peers begin to warm up to him. Bruchac, author of numerous books with Native American themes, weaves into the story the legend of the great peacemaker Aionwahta, who united five warring Indian nations into the Iroquois Confederacy and turned an enemy into an ally. Can Danny be, like Aionwahta, an agent of peace, and find a way to transform the school bully into a friend? This appealing portrayal of a strong family offers an unromanticized view of Native American culture, and a history lesson about the Iroquois Confederacy; it also gives a subtle lesson in the meaning of daily courage. Illustrations not seen by PW. Ages 7-9.
Copyright 1996 Reed Business Information, Inc.

From School Library Journal
Grade 3-4?Danny Bigtree, lonely for the Mohawk reservation he left two months ago and alienated from his fourth-grade classmates in his Brooklyn school, yearns for acceptance. When his father returns to their city apartment from his construction job, Danny opens up about his persecution at school. By sharing the Iroquois legend of Aionwahta (Hiawatha), Richard Bigtree guides his son toward traditional sources of strength and peacemaking. The man visits the classroom where he shares the same tale, eliciting positive responses. Then Danny's schoolyard nemesis throws a basketball right at his face, bloodying his nose and lips, and Danny wonders if this act was intentional. Then his father is injured in a high-steel accident. Peaceful resolution comes on the schoolyard, and reassuring signs from his recuperating dad round out the narrative. Stock characters carry the didactic story. The father "elder" figure becomes one-dimensional: all noble, wise, and patient. This story lacks dialogue and character development and has far too much exposition. There is a heaviness to the teachings. Murky, dark, black-and-white prints have no child appeal. Craig Kee Strete's The World in Grandfather's Hands (Clarion, 1995) deals with an angry, modern Indian boy in urban America through far more complex characters.?Jacqueline Elsner, Athens Regional Library, GA
Copyright 1997 Reed Business Information, Inc.

From Booklist
Gr. 2^-4. With so many Native American stories set in the misty past, it's great to read a children's book about an Iroquois boy who lives in the city now. Not that Danny Bigtree likes living in Brooklyn, New York: the other kids in his fourth-grade class taunt him and tell him to go "home to his teepee," and he does miss the place where he didn't feel like an outsider. But there is pollution and unemployment on the reservation, and Danny's parents have come to the city to work. Bruchac weaves together the traditional and the realistic as Danny's ironworker father tells stories of his people's history and heroes, stories that give Danny courage to confront his schoolyard enemies and make friends with them. The purposive information and message are lightened by family jokes that mock solemn Hollywood stereotypes ("Help me, my son") and show the loving intimacy between people who can tease each other and laugh together. Dan Andreasen's occasional full-page charcoal illustrations reinforce the sense of a sturdy schoolkid in the playground and at home, in touch with his roots. Hazel Rochman

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Ebook Children of the Days: A Calendar of Human HistoryBy Eduardo Galeano

Ebook Children of the Days: A Calendar of Human HistoryBy Eduardo Galeano

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Children of the Days: A Calendar of Human HistoryBy Eduardo Galeano

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Selected by Guernica magazine as an "Editors’ Picks: Best of 2013"

Unfurling like a medieval book of days, each page of Eduardo Galeano’s Children of the Days has an illuminating story that takes inspiration from that date of the calendar year, resurrecting the heroes and heroines who have fallen off the historical map, but whose lives remind us of our darkest hours and sweetest victories.

Challenging readers to consider the human condition and our own choices, Galeano elevates the little-known heroes of our world and decries the destruction of the intellectual, linguistic, and emotional treasures that we have all but forgotten.

Readers will discover many inspiring narratives in this collection of vignettes: the Brazilians who held a “smooch-in” to protest against a dictatorship for banning kisses that “undermined public morals”; the astonishing day Mexico invaded the United States; and the “sacrilegious” women who had the effrontery to marry each other in a church in the Galician city of A Coruña in 1901. Galeano also highlights individuals such as Pedro Fernandes Sardinha, the first bishop of Brazil, who was eaten by Caeté Indians off the coast of Alagoas, as well as Abdul Kassem Ismael, the grand vizier of Persia, who kept books safe from war by creating a walking library of 117,000 tomes aboard four hundred camels, forming a mile-long caravan.

Beautifully translated by Galeano’s longtime collaborator, Mark Fried, Children of the Days is a majestic humanist treasure that shows us how to live and how to remember. It awakens the best in us.

• Sales Rank: #361155 in Books
• Published on: 2013-04-30
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.38" w x 5.50" l, 1.25 pounds
• Binding: Hardcover
• 423 pages

From Booklist
We are the children of the days—that is, of time, earth, and the way we transform life into stories. Uruguayan writer Galeano, whose numerous international prizes include the Lannan Prize for Cultural Freedom, takes measure of our collective history, as he did in Mirrors (2009). But here he creates a universal calendar of commemoration that circles the globe, spans centuries, and encompasses war, earthquakes, dictatorships, crimes, heroism, and discoveries. Issac Newton, a man “fearful” of intimacy, nonetheless discerns “the earth’s irresistible force of attraction”; in a later era, a German hairdresser invents the permanent wave. Geronimo took charge of the Apache resistance in the nineteenth century; in the twenty-first century, the U.S. government killed Osama bin Laden in Operation Geronimo. This date-anchored human chronicle succinctly reflects our species’ vast diversity of temperaments, gifts, failings, and afflictions. As profound as Galeano’s concerns are, as penetrating as is his knowledge, he is mischievous and agile in each of the vivid 365 sketches, which distill to provocative effect vast reaches of experience and consequence, irony and tragedy, suffering and transcendence. --Donna Seaman

Review
“Children of the Days is a book to dip into; less a narrated history than a compendium of oddments. His writing is full of candour, empathy, humane concern and also predictable convictions…Herein lies Galeano’s central appeal: he evokes the marvels of a remarkable world that is not so bad after all.”
Financial Times

“The stories themselves, broken into pieces, present both Galeano's aesthetic and his view of history. The portrait of memory as fragmentary and non-linear reproduces the reality of ageing. At the same time, the shattering of the past into pieces offers a textual embodiment of broken pasts. The impact of this literary approach to the history of violent disappearances is a lasting and universal one.”
The Independent (UK)

“The arrival of a new book by one of our great writers is always an event…. You might think of his latest volume as a prayer book for our time: a page a day for 365 days focused on what’s most human and beautiful, as well as what’s most grasping and exploitative, on this small, crowded planet of ours. I would be urging all of you to celebrate the event and buy copies under any circumstances.”
Tom Engelhardt, TomDispatch

"Bedtime stories, you remember? This is a book of stories for each day of the year, addressed to adults. Stories of the historical human venture. Each story half a page. Put it beside your bed and the bed of those you love."
John Berger

"Engaging."
The Times of London (UK)

"Eduardo Galeano's winningly eccentric Children of the Days: A Calendar of Human History is packed with enough rogues and history changers to last a lifetime."
Vanity Fair, Hot Type

"With each passing day, details of an important event-or one lost to history's selective memory-illuminate the humanity and barbarism of our species. Good and evil, beauty and ugliness, generosity and greed-all are juxtaposed to great effect.... [T]his is a heady portrait of the human story rendered in broad, though no less incisive and affecting, strokes."
Publishers Weekly

"Galeano's many readers will surely find this secular calendar appealing."
Kirkus Reviews

"Eduardo Galeano is the great master of fragments and splinters, a prince of the absurdly truthful. Children of the Days, his Calendar of Human History, is an immensely varied gathering of facts and oddments and truths and stories of every kind. Underlying them all is a passionate and humane concern for the underdog, the poor, the forgotten. How this can be so funny and at the same time so moving is a great mystery."
Philip Pullman

"What category to put our beloved poet-historian, historian-poet in? Galeano is truly a Scheherazade. He keeps me morally awake, while also lifting my spirits with his ability to reveal in story-form the deep, sweet humanity which rebounds even after the cruelest moments of history. Reading Galeano, I'm often reminded of Joseph Conrad's claims for what writing should do: 'art itself may be defined as a single-minded attempt to render the highest kind of justice to the visible universe, by bringing to light the truth, manifold and one, underlying its every aspect.' That is reason enough to stay morally awake!"
Julia Alvarez

"In retrieving these stories from their historical exile, Galeano redeems their dignity and reanimates their tale. More than the mere act of commemoration alone, these vignettes illume the dark and disregarded corners of our collective past (and act, perhaps, as bulwark against repeating its myriad misdeeds).... Eduardo Galeano composes prose as resplendent as some of his subjects are sorrowful. With ever the eye for the neglected, distressed, oppressed, and maligned (spanning thousands of years), he creates beauty where once there was betrayal, and intrigue where ignorance once thrived. From the familiar to the obscure, Galeano masterfully recollects and rescues from amnesiac disregard those for whom history has never made room.... Galeano makes an offering of his art so that we may yet be reminded of the inherent brilliance, dignity, and wonder of a life consumed not by belligerence, fanaticism, and the shallow pursuit of wealth but one that is instead receptive to the voices of others and the world at large."
Powells.com

"Even when his subjects are familiar, Galeano's conclusions are always surprising...A modern book of days celebrating forgotten moments of our collective, multicultural past."
Shelf Awareness

"Galeano is as damning of humanity as he is hopeful for it, packing varied historical reflection into a calendar year. His condensed history is, like life, at once dark and fascinating, sad yet uplifting."
The Guardian (UK)

"Eduardo Galeano's Children of the Days: A Calendar of Human History is another impressive work of cogent and creative insight from a prophet who opens our eyes to the world as it is and as it could be if more of us would fight for peace, justice, and human equality."
Spirituality & Practice

"Galeano's genre is his own - a mixture of fiction, journalism and history that, as always, is conveyed in orderly fragments of various sizes and is best understood as an outgrowth of his first midteen self-expressions as a socialist cartoonist. If you think of every short individual Galeano piece in the mammoth collection of them that comprises his life's work as a kind of verbal cartoon - or a set of variations on a verbal cartoon - then you understand both the striking singularity of his work and its innovation...Galeano's fire is unquenched. He keeps giving it to us in abundance."
Buffalo News

"It's May, but this is a Christmas kind of a book: giftable, covetable, hefty, handsome, a veritable plum pudding of a thing, its lovely midnight-blue cover designed to look as though dotted with stars, or perhaps dusted with sugar, and slathered all over with generous custardy recommendations from both Philip Pullman and John Berger... Galeano chronicles events and anniversaries from the history of oppressed nations, adding the odd dash of fictional fun and philosophical musing... The effect is dizzying, like staring up close for a very long time at the walls of Gaudí's Sagrada Família...Children of the Days is the ne plus ultra of the Galeano style and form, a triumph of his mosaic art - 365 sad and strange and shiny little fragments, placed adjacent to one another to form a vast and seemingly coherent whole...This is a book of days, not for every day but for any day."
The Guardian

"Compelling, enlightening, tragic, hopeful, and hypnotic book: history in poetic snapshots... There are great stories in the book, pain and injustice too. And there is hope."
Chicago Tribune

"I think there is a strength within Latin American literature that resists the gusting of that stale wind. Authors like Gabriel Garcia Marquez and poets like Pablo Neruda hide within their respective voices a kind of power that seems refreshingly untouched by that wind's sapping flow. Eduardo Galeano is one of these. Already a distinguished presence within Latin American literature, Galeano's Children of the Days speaks with that power that seems often so illusive in other spheres of literature. This is the power I speak of: the ability to unleash your words to reveal the innermost truth of yourself. His words carry a blunt sincerity reminiscent of Marquez's short stories - amusing, thoughtful, and scathingly critical, often all within the same sentence. With each page of Children of the Days, Galeano reveals himself anew, and challenges us to do the same... Children of the Days is many things. It is a reminder, a chance for introspection, a forgotten history, a critique and a call to arms... All of the days in Galeano's Calendar are poetry in the finest sense. His words weave surprise into the ordinary, and dig truth from the rubble of those who would hide it. Even translated to English they retain a rough rhythm as the line breaks push singular ideas from the page... Children of the Days is best read in pieces, perhaps day by day, as a reminder that we are inheritors of history both grand and foul. The way that we choose to live our lives each day will determine which side of our history we will fall on. Eduardo Galeano's clear voice propels us to sincerity. If we were to listen, maybe we could stand against stale winds as well as he."
The Englewood Review of Books

"The amazing Galeano has done it again. History becomes poetry, and mythology becomes politic."
San Francisco Chronicle

About the Author
Eduardo Galeano is one of Latin America’s most distinguished writers. He is the author of the three-volume Memory of Fire; Open Veins of Latin America; Soccer in Sun and Shadow; The Book of Embraces; Walking Words; Upside Down; and Voices in Time. Born in Montevideo in 1940, he lived in exile in Argentina and Spain for years before returning to Uruguay. His work has been translated into twenty-eight languages. He is recipient of many international prizes, including the first Lannan Prize for Cultural Freedom, the Casa de las Américas Prize, and the First Distinguished Citizen of the region by the countries of Mercosur.

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